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Title	:	Bend Sinister
Author	:	Vladimir Nabokov
Book Format	:	Paperback
Book Edition	:	Penguin Modern Classics
Pages	:	Pages: 208 pages
Published	:	August 4th 2015 by Penguin Books Ltd (first published 1947)
Categories	:	Fiction. Cultural. Russia. Classics. Science Fiction. Dystopia. Literature

Bend Sinister

Vladimir Nabokov

Paperback | Pages: 208 pages

Rating: 3.82 | 3765 Users | 263 Reviews

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The state has been recently taken over and is being run by the tyrannical and philistine ‘Average Man’ party. Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk – known as the ‘Toad’. Grieving over his wife’s recent death, Krug is at first dismissive of Paduk’s activities and sees no threat in them. But the sinister machine which Paduk has set in motion may prove stronger than the individual, stronger even than the grotesque ‘Toad’ himself.

The first novel Nabokov wrote while living in America and the most overtly political novel he ever wrote, Bend Sinister is a modern classic.  While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state.  Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man.  In a folly of bureaucratic bungling and ineptitude, the government attempts to co-opt Krug's support in order to validate the new regime.

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Original Title:	Bend Sinister
ISBN:	0141185767 (ISBN13: 9780141185767)
Edition Language:	English
Characters:	Adam Krug, Paduk, Olga Krug, David Krug, Ember

Rating Regarding Books Bend Sinister

Ratings: 3.82 From 3765 Users | 263 Reviews

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Quite a few times as I read this novel I felt stupid; for the life of me I couldnt understand what Nabokov was on about, particularly in the passages pertaining to the work of the main character, the philosopher Krug. Then at other times, particularly in the last quarter of the book, I was so engrossed by the narrative that I forgot where I was. This novel was a hard work but mostly in the good sense of this expression. As I read it I felt this was the right book at the right time to read

Let me get this out of the way first: I have a lot of respect for 1984. It's a good book. It's a great book, in fact. George Orwell was a master at his craft.But Bend Sinister is so amazing, so delicious and so emotionally deep that as good as 1984 is, Bend Sinister still manages to feel like "1984 done right." Nabokov uses the full force of his incredibly nuanced, unique command of language to paint a picture of a totalitarian regime. His images are beautiful and stunning, and the story at the

One would think that after the horror of the war had ended, people would have an optimistic vision of the future, that artists would see la vie en rose. However, when you read the books published in the same year the song came out 1947, they all seem to share this horrible idea of what is to come. Bend Sinister isn't any different.As Nabokov puts it: People are made to live together, to do business with one another, to talk, to sing songs together, to meet in clubs and stores, and street corners

Gave up on page 40. Hideous writing, hopelessly repellant characters, no apparent story.

On the face of it, Bend Sinister is an unusual novel. Nabokov, a self-proclaimed politically apathetic writer, writes a novel about the rise of newly formed dictatorship in a fictitious country. Yet, despite this, Bend Sinister is fundamentally not a political book, or even a book about politics per se, but is more a book about love, or in this case, paternal love, and just as the object of that paternal love dies and is removed from the novel, so the narrator himself, in a miracle of

I have not finished yet -- and I don't know if I will then actually write a review when I do. After all, what can I say or add or... why should I comment... on works of art? Pieces of crap deserve comment. It's obligatory. Works on objective material -- books on history or sociology or entomology or prosody -- can be commented upon or corrected or endorsed...; but ...?-- well, that's just me, maybe.Anyway -- this is a truly magnificent book. Don't be mislead by some of the less than enthusiastic

oh, Nabokov.Your prose is extremely sexy. And I don't mean you're always describing Lolitas and Adas and the like, but the way you describe and isolate the little every-days and play them every-which-way and turn them inside-out and make them oh-so-clever. You have written the most sensual things I've ever had the pleasure of reading often without the shedding of a single garment.And this, a novel of governing gone terribly wrong in the form of political dystopia wherein to achieve true human